Gustave Le Gray, The Great Wave, Sète, 1857
Gustave Le Gray, The Great Wave, Sète, 1857

Lesson 06: Framing and Viewpoint

Pre A Level Art & Design · Unit 2 · U2·L1 · ← L05 | L07

At a glance

SessionW7, one Wednesday double (~90 min) — Unit 2 opens, first session after National Day
DatesWed 2026-10-14
FocusFraming, viewpoint, rule of thirds — composing with a camera instead of a pencil
DeliverableBest-3 selection from HW1 with written reasons; a five-viewpoint circuit shoot with three selects
FeedsHW1 due today; the circuit frames become part of CS2’s composition set (W9)
HomeworkTen frames placed deliberately on the thirds + five deliberately breaking them, one line on which felt better; MB posting
Frederick H. Evans, A Sea of Steps, Wells Cathedral, 1903
Frederick H. Evans, A Sea of Steps, Wells Cathedral, 1903
Alvin Langdon Coburn, St. Paul's and Other Spires, c. 1909
Alvin Langdon Coburn, St. Paul's and Other Spires, c. 1909
Timothy O'Sullivan, Ancient Ruins in the Cañon de Chelle, 1873
Timothy O'Sullivan, Ancient Ruins in the Cañon de Chelle, 1873

Goal

The unit’s motto: “shoot many, keep few, know why.” You arrive with twenty photographs of one subject. This session shows you that the interesting decisions happen before the shutter — where you stood, what you put in the frame, what you left out — and that choosing three from twenty is a skill with reasons.

How it runs

  • Warm-up (10 min) — cameras out — any camera counts: phone, compact, DSLR — and the framing grid goes on (grid overlay on phones, viewfinder grid on cameras; your standing habit for this unit). Put the vocabulary list into your sketchbook — terms 1–13 (elements, principles, composition); a two-minute match game: term to photo on screen.
  • HW1 harvest (20 min) — open your twenty photos. Choose your best three and your worst one, then explain both choices to a partner with the frames: “I kept this because…” / “This one fails because…“. Selection is the unit’s core skill.
  • Teach (15 min) — framing and viewpoint, from the Seeing Photographs exemplars: rule of thirds, balance (symmetrical vs asymmetrical), horizon placement and tilt, vantage point, figure–ground. Each concept is one image and one question (“what did the photographer decide here?”).
  • Viewpoint circuit (30 min) — one subject per pair, five stations: eye level · high · low · close · far-with-context. Minimum fifteen frames each. The subject never moves; only you do — viewpoint alone changes the picture’s meaning.
  • Close (15 min) — select three from the circuit, post to MB with a one-line reason each; add thumbnail sketches or printed strips of the selects with notes to your sketchbook. Homework stated.

Assessment

HW1 (≥20 photos, one subject, varied viewpoint/light — set 09-30) is due and checked today; marked for looking, not luck. Today’s circuit frames and the thirds homework feed CS2 (W9). Register: PAL S1 Assessments.